Seth Boustead

Seth Boustead is a composer, broadcaster, writer, concert producer, in-demand speaker and visionary with the goal of revolutionizing how and where classical music is performed and how it is perceived by the general public.   As a composer he has forged a unique and highly personal identity through pieces that are regularly performed and heard on radio broadcasts around the world.  

Recent projects include an operatic adaptation of the classic Chris Marker film La Jetée, the inspiration for Terry Gilliam’s Twelve Monkeys and an hour-long chamber piece inspired by stories of Italo Calvino.

As the founder and Executive Director of Access Contemporary Music, Seth has created a wide range of unique programs to bring contemporary classical music to new audiences including the Sound of Silent Film Festival, the Thirsty Ears Festival – the country’s only classical music street fest, a chain of storefront music schools teaching musical creativity, a concert series in Chicago and New York and more than a dozen annual international commissioning projects in Chicago, Milwaukee, Mexico City and New York.

Seth is the host and creator of the ASCAP Deems Taylor award-winning podcast Relevant Tones featuring music by and conversations with some of the most creative figures in contemporary classical music.  He also created the Concept Lab series in Manhattan.  Find more at sethboustead.com

Stephen Anthony Rawson

Stephen Anthony Rawson is a Chicago-based pianist, composer, and arranger. He has performed as a guest artist at the Space City New Music Festival, Lone Star College, the Oregon Composers Forum, and throughout Chicago.

In 2019, he began working with Grammy Award-winning artist Jennifer Hudson as her music assistant. Together, they prepared for her role as Aretha Franklin in the biopic Respect (2021). Stephen teaches piano and composition at Access Contemporary Music and City Strings & Piano. He also works as an interviewer and album reviewer for Relevant Tones.

Stephen has composed and arranged music for collegiate ensembles, professional musicians, and students. In 2020, he arranged, performed, and composed original music for the musical Out of My Dreams, A Revue for the University of Wisconsin – Eau Claire. He is also the music director of the Musical Theater Ensemble, and the accompanist for the Community Choir and Vocal Tech 3 class at the Old Town School of Folk Music.

In 2015, Stephen earned his Bachelor’s degree in composition at the University of Wisconsin – Eau Claire, where he studied with Dr. Chiayu Hsu. He continued his piano studies and gave recitals under the instruction of Dr. Owen Lovell.

He then attended the University of Oregon where he taught first-year aural skills and music theory as a Graduate Teaching Fellow, and an upper-level summer course called Improvised Music and Analysis. While in Oregon, Stephen performed new works in the Oregon Composers Forum, and directed the improvisation-based ensemble Sonos Domum.

Austin Gray Williams

Chicago based composer Austin Gray Williams derives style and aesthetic from many different styles of music and music culture. His music often being visceral and brash in nature, often depicts issues that humanity finds hard to come to terms with.

However, having lived in the Midwest for most of his life (Minnesota, Wisconsin, and Illinois) there’s no doubt that the natural environment of this region has influenced the beauty in his music, showing a bit of optimism come through. 

Having actively been part of a variety of music groups ranging from small jazz groups, large orchestra’s, and punk trio’s, there is a wide variety of influence on his work. With such a variable background it’s not uncommon to see multiple influences at once, though still incredibly cohesive.

In writing music with a variety of style and aesthetic Austin hopes to reach those who don’t otherwise have a voice or cannot voice it themselves. Life is messy, harsh, and beautiful. Austin Gray Williams reflects on finding the space where chaos and beauty intersect.

Matt Dosland

Cellist Matthew Dosland grew up in Saint Paul, Minnesota where he began studying cello at the age of 8. He has a deep commitment to performing new music, especially the music of his peers. During his time at Luther College and the Chicago College of Performing Arts at Roosevelt University, he worked with Hunter Prueger, Austin Williams, Julian Kwoun, and Trevor Adams to premiere and promote their compositions.

As an active chamber musician, Matthew has performed at the Northern Lights Music Institute working with Young Nam Kim, Ariana Kim, Sally Chisholm, Jim Jacobson, and Anthony Arnone, as well as the International Festival of the Adriatic studying with Tulio Rondón.

Matthew has performed on such stages as Orchestra Hall in Minneapolis, Symphony Center and Harris Theater in Chicago, and the Musikverein in Vienna.
Matthew holds a bachelor’s degree from Luther College in Music Performance and Nordic Studies as well as a master’s degree from the Chicago College of Performing Arts at Roosevelt University.

He currently works as a Cello Sales Associate at Claire Givens Violins and resides in St. Paul, Minnesota. He enjoys making coffee, reading, cross-country skiing, and watching soccer.

Lisa Dell is a passionate advocate for classical music, leading the innovative California Symphony as its Executive Director since November 2019 and producing multiple national radio series based on the orchestra’s unique history of cultivating and commissioning young American composers.

Before relocating to the Bay Area, Lisa worked with every significant classical music institution in Chicago, including the Chicago Symphony Orchestra, Grant Park Music Festival, and the Ear Taxi Festival of New Music. In 2008, Lisa co-founded a chamber music ensemble, Anaphora, which quickly became known for its innovative programming, commissions, and “gutsy but polished performances” (Chicago Tribune).

Neve Jahn is a sound artist and engineer based in New York City. Her freelance engineering credits include work with the Pacifica Quartet, Katherine Needleman, Kevin Puts with soloists of the Metropolitan Opera, and a number of Baltimore new music ensembles and performers. She has also worked as a location recordist for a number of film and video projects, including Marji Vecchio’s upcoming Sandy Stone documentary Girl Island. 

Neve is a staff engineer at Digital Island Studios, where she has provided recording, unicast/multicast, editing, and live sound services for clients such as the BBC, WBUR, The Americas Society, All Souls New York Unitarian Church, and the Moth.

Her own artistic work in collaborative and solo contexts has variously combined feedback, improvisation, poetry, movement, video, and collage. Primarily working in environments of no- and low-input mixing, she understands her gear less as a set of tools and more as an active collaborator in the improvisatory space.

Neve is a graduate of the Peabody Conservatory, where she completed degrees in recording and composition.